Radical new piano design get pianist listening.
Pianist and conductor Daniel Barenboim has unveiled a new sort of piano, which he says is “radically different” to the commonplace concert grand. It is developed with straight, parallel strings, promising an advanced sound to a typical piano, wherein the strings are set up diagonally.
Barenboim launched the instrument at London’s Royal competition hall, in advance of his Schubert recital sequence. He intends to perform the whole sequence on the brand new piano. Barenboim established the piano on the launch in London’s Royal pageant hall brand new pianos have turn out to be tremendously standardized, with few alterations to their major design over the last 100 years.
They’re mostly cross-strung, with the bass strings crossing over the core and treble strings in an “x” sample, permitting the sound to be concentrated on the centre of the soundboard. Barenboim used to be encouraged to test with the design after taking part in Franz Liszt’s restored grand piano for the period of a travel to Siena, Italy in September 2011.
“The warmth and tonal characteristics of the normal straight-strung devices is so different from the homogenous tone produced by using the state-of-the-art piano throughout its whole range,” he stated. “The certainly distinguishable voices and color throughout its registers of Liszt’s piano encouraged me to discover the possibility of mixing these traits with the vigour, appears, evenness of touch, balance of tuning and other technical advantages of the latest piano.”
He developed his concept with Belgian instrument maker Chris Maene, with help from Steinway & Sons. The Barenboim-Maene piano is a “dream come genuine”, says instrument maker Chris Maene. As well because the straight strings, the Barenboim-Maene piano facets a double bridge and horizontal soundboard veins.
In step with a press release, the piano “combines the contact, balance, and energy of a trendy piano with the obvious sound nice and distinguishable color registers of extra historical devices”. Pianist Gwendolyn Mok, who plays an 1875 straight-strung Erard piano, has stated that such devices possess superior clarity.
“if you happen to look inside your own piano, you are going to realize that the strings are all crossing each and every other,” she informed the San Francisco Examiner in 2013. “With the straight strung piano you get distinct registral variations – virtually like being attentive to a choir the place you could have the bass, tenor, alto, and soprano voices. “it is rather clear and there is no blending or homogenizing of the sound. It accordingly offers you massive opportunities in experimenting with color.”